兩個戀愛

簡介：　　上集中異形並沒有被消滅掉，她又回來了，變得更加的強大，這次的主角輪到別克的女兒朱麗婭了，她和另一個夥伴要繼續麵對新的挑戰了

簡介：　　柯克·道格拉斯是美國政府的高階特務，他跑到中東視察一個研究超感應能力的計劃，其中有其子安德魯·史提芬斯在內。不料他的同僚約翰·卡薩維茲竟偷偷雇用恐怖分子對研究中心突襲，以為將柯克殺死，從此擁有安德魯等一群具有超能力的青少年為他服務。但柯克死裏逃生回到美國，一方麵找尋兒子的下落，另一方麵透過亦在作研究的女生埃米·歐文作絕地大反攻。

簡介：　　政府采用了一種輻射滅蟲器用來消滅農田裏的害蟲，但卻引起了可怕的後果。殺蟲器所放射出的有害物質使附近的死人複活，並將他們變成了饑餓的喪屍。然而正在農場附近的約翰和安娜兩個人不幸被喪屍襲擊，後在警員的幫助下才得以逃脫，可警員卻葬身屍腹。於是約翰被警方懷疑涉嫌謀殺而遭到拘捕，安娜則被送往醫院中。由於病毒不斷的擴散，致使醫院裏的死人紛紛爬起襲擊活人，約翰得知消息後不顧一切逃出警局，但他還能趕得及去拯救安娜嗎……　　這是一部由意大利與西班牙影業聯合監製的七十年代恐怖傑作，被廣大恐怖影迷奉為經典的作品，也是七十年代最賣座的喪屍電影，影片拍攝的時尚大氣，絲毫沒有拘束感。片子雖然被指模仿了羅梅羅的<活死人之夜>，但在某些創意上卻有著天差地壤之別。在開場幾分鍾的時間裏，導演就把社會的灰暗麵表露無疑，然後筆鋒一轉，便開始了緊張的劇情。片中的喪屍首次被賦予了智慧，其男女主角也有相當的悲情色彩等，有許多情節被後來的一些喪屍片競相模仿，甚至使其成為了一部裏程碑式的作品。

簡介：　　This 1992 Japanese film tells the story of a scientist who sets out to create the new "super Adam and Eve", humans who cannot be controlled by their emotions. Of course, the end result it not exactly what the good doctor expects.　　comments from imdb:　　This modern tale of an attempt to build a creature is one of the best "horror" films ever made, even if its not a horror film but something else entirely. Certainly its on my short list of all time great films.　　This film was introduced to me by someone who told me "I have this film that probably one of the best films you'll ever see. It will move you and touch you and make you think, but if I told you what it is and told you how its done you will think its the stupidest thing on the face of it and you won't watch it." Intrigued I asked what did he mean, and he said, "Well its a Frankenstein story, with a very goofy sort of edge, but which uses it to its advantage." My ears perked up, and I being a trusting soul took the tape and watched it. I was blown away.　　The plot concerns a mad scientist attempting to make a new Adam and Eve in the wake of a suicidal plague that is ravaging the world. Locked up in his lab his experiments go differently then either he or we expect. Some of it is silly (The bolts in the neck, the wrestling moves...), all of it is touching and thought provoking.　　I can not recommend this movie enough. If you are willing to take the film on its terms and allow it to tell its story then I urge you to seek this film out and see it. This is an undiscovered gem that will stay with you forever.　　15 out of 10 and then some. 10/10　　Also known as "The Last Frankenstein", this is an extraordinary, impeccably produced horror film. Director Takeshi Kawamura uses Mary Shelley's novel as a mere launching pad for an exploration of subjects as diverse and fascinating as the nature of love, desire, suicide, mass hypnosis, sex, alienation and jealousy.　　And though the film is dense with subtext, it is also stunningly photographed and rich in atmosphere and detail. The performances are all amazing and Kawamura's sensitive handling of the strange, delicate relationships between the characters results in an emotionally charged, angst-ridden tragedy.　　The scenes of the confused, troubled monster hurtling through a fog-shrouded forest at night are memorable and striking, as is a brilliant home movie-style montage of the film's more curious characters enjoying a precious afternoon at the beach. Kawamura creates resonating visual poetry of horror and sadness barely sighted since Todd Browning's classic "Freaks".　　Intelligent, emotional, tragic and real, this is an absolute gem. 9/10

簡介：　　인기 개그맨 유세윤은 14살의 어느 날　　이상한 동작을 반복하거나 의미를 알 수 없는　　말들을 내뱉는 등 기이한 행동을 보이기 시작한다…　　　　그 행동은 점점 사라졌지만 그 당시의 세윤을 목격한　　가족들과 그의 지인들에겐 여전히 끔찍한 기억으로 남아있다　　　　그러던 어느 날, 이제는 한 가정의 가장이 된 세윤에게　　또다시 정체불명의 소리가 들려오고…　　‘그것’은 점점 더 그를 괴롭히기 시작하는데…　　　　인기 개그맨 유세윤을 둘러싼 15일간의 기록!　　‘그것’의 충격적 정체가 밝혀진다!

簡介：　　越南恐怖片。一名小說家在丈夫出軌後，帶著孩子到一棟老屋安居，她在那裏收到一個音樂盒，從此遭到詭異的惡靈纏繞.