幻視

簡介：　　這部最新續集故事從五個年青的互聯網遊戲者，接到一個神秘的邀請開始，去參加一個名叫《地獄互聯網》站點的特殊聚會，不過他們沒有想到，那是一個恐怖的難以用言語表達的夜晚。。。全新特技、視覺效果，一個恐怖電影迷不能放過的片子。　　這是一部全新而獨特的Hellraiser係列最新篇，大部分原班人員繼續上陣。和其它幾集比較來說，表麵看隻是一出跟其它B級片沒兩樣，同樣灑狗血的電影，但Rick Bota在血和核突以外，還加上深入一點的人性探討。前幾集的故事主要跟家庭、人的欲望和惡行有關，結果令他們慘受地獄使者的騷擾，充滿冷色調的美術設計，令Clive Barker所營造的世界，更見冷酷。

簡介：　　小女兒意外身亡，馬克·休斯（祖舒華·克洛斯 Joshua Close 飾）帶著妻子瑪麗（塞爾瑪·布萊爾 Selma Blair 飾）、兒子布蘭登（奎恩·羅德 Quinn Lord 飾）驅車來到位於偏遠山間的私宅，試圖讓短暫的假期彌合心頭的傷口。不過他們的寧靜很快被鄰居薩卡斯基一家打破。相對於依然沉浸在悲傷中且有些疏離冷漠的休斯夫婦，薩卡斯基家的男主人鮑比（詹姆斯·達西 James D’Arcy 飾）和妻子珍（蕾切爾·敏納 Rachel Miner 飾）顯得有些過分熱情，他們主動要求登門拜訪，期間問東問西，令氣氛詭異緊張。直到布蘭登和鮑比的兒子傑瑞（阿萊克斯·費瑞斯 Alex Ferris 飾）發生衝突，別扭的家庭聚會戛然中止，不歡而散。　　然而對於休斯一家來說，真正的噩夢才剛剛開始……

簡介：　　萊昂納（芭芭拉·斯坦威克 Barbara Stanwyck 飾）是銜著金湯匙出生的富家千金，因為她的神經非常的脆弱纖細，導致她隻能整日臥病在床，和外界唯一的聯係就是一台電話。這一天，萊昂納的丈夫亨利（伯特·蘭卡斯特 Burt Lancaster 飾）遲遲沒有到家，於是萊昂納想要打個電話到亨利的辦公室裏找他。哪知道電話串了線，萊昂納聽到電話那頭的兩個陌生男人正在謀劃如何殺害一個無辜的女人。　　又驚又怕的萊昂納決定拯救這個女人的性命，於是她拿起了自己唯一的武器——電話。然而，當萊昂納打電話將自己的所見所聞告訴警察時，卻並沒有人願意相信她。更糟的是，兩名凶手似乎也知道了萊昂納的存在。

簡介：　　同誌電影史最重要的作品之一，它不隻是第一部直接道出‘同性戀’字眼的英語片，更勇於碰觸性取向成為被抹黑、勒索和恐懼的社會現實。在同誌電影多如過江之鯽的今日，它的直陳無礙更顯難得。英國紅星狄鮑嘉也在突破形象後，日後毫無忌憚地演出維斯康堤、法斯賓達的電影。當年囿於英國電檢而消失的十分鍾，也將以全新數位修複拷貝，忠實重現。

簡介：　　供職於私立諾德醫院的醫生周劼（袁成傑 飾），其所親手治療的病患在服用某種特效藥後情緒失控，自殺身亡。周劼備感蹊蹺，他對藥物進行化驗，發現成分與所公布的多有不符。院長出於連任考慮，希望盡量掩蓋此事。而出於醫者的尊嚴和職業道德，周劼和留美博士張如一對藥廠展開獨立調查，雖然查明原因，但是作為重要嫌疑人的何主任離奇死亡。在此之後，前院長引咎辭職，張博士成為代理院長。然而一切並未歸於平寂，藥物中含有神秘致幻劑，更有相關人員遇害，而周劼也不知不覺出於極其危險的境地。　　作為重要知情人，他成為黑暗中的對手急於除掉的目標……

簡介：　　This early 70's giallo by Umberto Lenzi is certainly among the best in his filmography and also in the whole genre. Personally I think Lenzi's best films are the funny cartoon-turned-film Kriminal, the stylish giallo Seven Blood-Stained Orchids, the explosive Napoli violenta and this. In the eighties he did plenty of film trash in form of Eaten Alive, Hitcher in the Dark or Black Demons, all of which are ripping something off and/or very dull and slow moving. Knife of Ice came when the giallo boom was at its hottest and the result is convincing.　　Technically the film is superb, containing great cinematography in the beginning when we learn about the main character's trauma towards trains. From this point on, Lenzi shows us his ability to benefit the widescreen and, for example, the bicycle ride near the forest is genuinely beautiful! This scene also shows Lenzi's ability to build suspense, very slowly but meaningfully. After all, there aren't so many murders in the whole film, only the suspense circulating around the murderer's identity.　　One suspect is a devil worshipper which brings new aspects to the mystery. Since the final scene takes place in a church, one can wonder if Lenzi wanted to comment on something, maybe the hypocritical morale of church and superstition. The main character (Carrol Baker) is mute which demands a lot from her face and eyes. The actress works very well, giving us a believable performance circulating around the emotions of fear and mental pain. The other actors are good, too. The finally, however, may not give too positive a sight about female sex since they all are expressed rather negatively in the film, one way or another. Still this is easily among the most noteworthy in the genre, not as bloody as the Argento films, for example, but equally suspenseful and visually also interesting.